briandanielwolf:

vixyish:

xixsem:

I DID THIS IM VERY PROUD OF IT YOU KNOW WHY
BECAUSE
WAIT FOR IT
LORDE OF THE RINGS

But every day’s like
Gold ring, greybeard, trippin’ on the mushrooms
Blood-mad Nazgul trashin’ the hotel room
We don’t care
We got to Rivendell across the stream

And everybody’s like
Mountains, dwarf mines, presents from the Elf Queen
Rowboats, rock paths, Gollum on a rope leash
We don’t care
Yeah we’re simply gonna walk in there

Cuz we’re going to Moooooordor
(Moooooordor)

briandanielwolf:

vixyish:

xixsem:

I DID THIS IM VERY PROUD OF IT YOU KNOW WHY

BECAUSE

WAIT FOR IT

LORDE OF THE RINGS

But every day’s like
Gold ring, greybeard, trippin’ on the mushrooms
Blood-mad Nazgul trashin’ the hotel room
We don’t care
We got to Rivendell across the stream
And everybody’s like
Mountains, dwarf mines, presents from the Elf Queen
Rowboats, rock paths, Gollum on a rope leash
We don’t care
Yeah we’re simply gonna walk in there

Cuz we’re going to Moooooordor

(Moooooordor)

(via spooopy-nuggets)

Yeah, Size Matters In L.A. Theatre

artsjournal:

la-la-et-0701-stupid-birds-05-jpg-20141008

“The group’s central premise can’t be dismissed: The institutional structures of Los Angeles theater are too weak for an urban center of this size and cultural prestige. Modification to union agreements that points the way toward growth and development is the obvious answer. How to get there is much more complicated.”



from ArtsJournal http://ift.tt/1s7ngdc

seidr-n-spice:

everythingscenic:

A Midsummer Night’s Dream. William Bloodgood.

Oregon Shakespeare Festival.

holy shit. 

And this is why OSF kicks butt

(via injusticeworth)

Does ‘Immersive Theatre’ Even Mean Anything Anymore?

artsjournal:

Titus-Andronicus-011

“Standing around watching a show in a room that appears to have been designed by an Oxford Street store window dresser doesn’t magically make the audience experience something immersive, no matter how many stuffed animals you incorporate into the set.”



from ArtsJournal http://ift.tt/ZtLMvu
"

To answer your question as honestly as I can, I’ve wanted since I was very little to not have to worry about money. I’ve never been poverty-level poor (I mean, there’s been years where I’ve been officially beneath the poverty line, but that wasn’t poverty: that was being a student and living the Student Lifestyle), but I’ve been in a place where you know you can’t afford a better-quality food, where you can’t do certain things because of money, and I’d prefer not to have those problems if I can. I sort of have troubles with money in general, with how it determines so much of our lives but with how we all try to ignore it, but I would like to be (and stay) in a place where I can pick up some new comics and games and not worry about how much they cost.

This is terrible; you’re asking me where I want to be in the future, what I want my life to be like, and the only thing I can tell you is ‘Man, all I know is I don’t want to be POOR.’

"

— Ryan North (via observando)

"

As a person of color, 90% of the time when I go to see theater in New York City, it is not for me. But guess what I do: as a person of theater — and the main aspect of theater is sitting in a room with people and having empathy for people who do not look or sound like me, who come from different backgrounds — I expand my horizons, which is the point of theater.

You don’t trick people into pretending like “oh, this is for you” when it’s not. You tell them to expand their horizons, and explain why this is important, why you need to, as an older, white person in a metropolitan area, see something that is not about you and actually identify with the universal themes. Because that’s what people of color have to do all the time, 24/7 when they look at tv, when they go to theater, when they go see a movie. Otherwise you would go crazy and just be pissed off and never seen anything if you’re a black person. You have to become a better listener and a better audience member.

"

Playwright Aurin Squire, on the Maxamoo Podcast (via itsdlevy)

I’m a broken record, but listen to this week’s Maxamoo. Worth it for this speech.

(via fuckyeahgreatplays)

(via theatreshouldbefun)

audramcdonaldbelting:

victoriaclarks:

Well, the good news is that we don’t have to get our hopes up anymore!

……….this makes me a little bit uncomfortable?

Not bad but certainly not good. What are we to do with slightly limp movie musicals?

(Source: gabeebert, via aliveandfullofjoy)

WHO COULD HAVE PREDICTED THIS!?!?!?

*maybe all the Norse lore on female warriors from the Valkyries to the shield maidens; so … . . really anyone who paid any attention at all to anything.